For more than two months, Albanians have taken to the streets every day in Tirana and other cities in what has come to be known as the Flamingo Revolution. What began as a protest against the construction of a multi-billion-dollar luxury tourism development, planned within a protected area that is home to thriving populations of flamingos and other endangered species, has grown into a broader anti-government movement. Protesters increasingly see the project not as an isolated case, but as emblematic of a model of development pursued by Edi Rama’s government, now in its fourth consecutive term in power. Architecture has been central to this model.
Over the past two decades, Rama has used architecture and urban development not only as instruments of governance, but also as a means of projecting Albania onto the international stage. Numerous internationally renowned architecture practices, many of which Dutch, have been invited to design and build across the country, turning Albania into an increasingly prominent site of architectural experimentation and investment. During the first week of the protests, a more than 700 pages book documenting and celebrating this very phenomenon was launched in Tirana. The book has since acquired a different significance: for many protesters, it has become an object of evidence, a record of the development model they are challenging.
Klodiana Millona and Dorina Pllumbi, both trained as architects in Albania and the Netherlands, offer a situated review of The Albanian Calls, Anneke Abhelakh’s video essay featuring international architects working in Albania.
It sounds like a dream for any architect: a head of government who is obsessed with architecture, invites foreign firms, awards commissions, and personally intervenes in the design process. In Albania, thanks to Edi Rama, that dream became a reality. ‘The Albanian Files’, an 800-page book covering twenty years of foreign architecture in the country, highlights above all the unique relationship between architecture and power. It is, therefore, a revealing portrait of a profession that confuses the absence of democratic oversight with design freedom. (originally published in De Architect, August 2026)
Trumps schoonzoon Jared Kushner ontwikkelt een exclusief resort in Albanië, gefinancierd via Nederlandse brievenbusfirma’s en Qatarees kapitaal. Na hevige protesten buigen de Albanese anti-corruptie-autoriteiten zich nu over het project. Hoe loopt het geldspoor van de Albanese kust naar Amsterdam?